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une Peña a lo cubano

une Peña permanente: une Peña a lo cubano

Une “peña” a la mode de Cuba n'a rien à voir avec un lieu de beuverie ni avec le lieu de la tertulia chére aux amateurs de tauromachie !

La Peǹa cubaine est un rendez-vous , bien souvent fortuit avec ......l’improvisation. En bon cubain la descarga

Brassage des différentes manifestations de l’art, elle accueille de manière quasi informelle musiciens, peintres, danseurs, poètes et leurs publics,qui se lancent des défis artistiques .

Cousine ou grand mère du « bœuf » dans le jazz, c'est un moment privilégié et intense , où les musiciens soutiennent l'impro d'un conteur (en alexandrin siouplait), où un conteur joue le récitant d'un ballet ,ou une impro de tambor peut être dansée, ou deux (ou plusieurs voix ) enchaînent les strophes d'une aubade spontanée

une seule règle dans la descarga :la surprise est toujours de mise.

Mettez le tout dans un chekere ajoutez à parts égales des racines afro , hispano et taïnas , un grand trait de liberté secouez fort et servez frais en arrosant généreusement de rhum et de créativité …

c'est ce moment magique que Duende Cubano® vous proposera dans le cadre sa peña tous les jours de 10 heures à deux heures du mat / un lieu convivial, avec scène ouverte, où les artistes invités ou de passage partagent et échangent avec un public a la fois spectateur et acteur façonnant un instant unique .

À Cuba une pena laisse une «trace» artistique (ou de solidarité) du passage des artistes, une œuvre collective , un projet pour l’avenir ou une rencontre régulière « au profit de » … ou pourquoi pas : tout cela à la fois!
Pour aller plus loin la Peǹa offrira également des ateliers découverte et initiation ( cuisine , cocktails , percu , repentismo ,danse et guitare ), lectures et dédicaces littéraires, rencontres orales, direct vidéo avec la casa de la musica à la havane , et les web cams de l'ile et d'ailleurs …

En voir plus...

une Peña permanente: une Peña a lo cubano

Une “peña” a la mode de Cuba n'a rien à voir avec un lieu de beuverie ni avec le lieu de la tertulia chére aux amateurs de tauromachie !

La Peǹa cubaine est un rendez-vous , bien souvent fortuit avec ......l’improvisation. En bon cubain la descarga

Brassage des différentes manifestations de l’art, elle accueille de manière quasi informelle musiciens, peintres, danseurs, poètes et leurs publics,qui se lancent des défis artistiques .

une seule règle dans la descarga :la surprise est toujours de mise.

En voir moins...

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artes plasticas - Curriculo Eduardo Ponjuan

Cet article est disponible en format standard RSS pour publication sur votre site web:
http://duendecubano.eu/data/artfr.xml

Eduardo Ponjuan

Currículo

EDUARDO PONJUÁN GONZÁLEZ

Pinar del Río, Cuba 1956

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ESTUDIOS DE ARTE

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 1"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 86.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=115>

1970 - 1974

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Escuela Provincial de Arte, Pinar del Río.

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1974 - 1978

Escuela Nacional de Arte, La Habana.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 3; mso-yfti-lastrow: yes"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 86.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=115>

1978 - 1983

Instituto Superior de Arte, La Habana.

<$shy;/tD><$shy;/tR><$shy;/tBODY><$shy;/tABLE>

<$shy;tABLE class=MsoNormalTable style="BORDER-RIGHT: medium none; BORDER-TOP: medium none; BORDER-LEFT: medium none; BORDER-BOTTOM: medium none; BORDER-COLLAPSE: collapse; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-border-alt: solid windowtext .5pt; mso-border-insideh: .5pt solid windowtext; mso-border-insidev: .5pt solid windowtext" cellSpacing=0 cellPadding=0 border=1> <$shy;tBODY> <$shy;tR style="mso-yfti-irow: 0; page-break-inside: avoid"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 436pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=581 colSpan=2>

EXPOSICIONES PERSONALES

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 1"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1983

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“Paisajes”, Sala Talía, La Habana

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1984

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”Tintas”, Galería de Viñales, Pinar del Río.

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1985

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Dibujos, Galería de Arte de Pinar del Río.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 4"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1988

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“Lectura 2”, Galería de Luz y Oficios, La Habana

(Texto de catálogo de Efraín Rodríguez Santana)

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 5"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1989

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“Artista melodramático”, Proyecto Castillo de la Real Fuerza, La Habana (Texto de catálogo de Gerardo Mosquera)

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 6"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1992

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“Ven y dame una mano”, Galería 12 y 23, La Habana

(Texto de catálogo de Antonio Eligio Fernández (Tonel))

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 7"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1993

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“Arte y confort”, Galería Nina Menocal, México D.F.

(Texto de catálogo de Lorna Scott y entrevista de Nina Menocal)

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 8"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1994

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“Vuelo”, Galería I.F.A. Berlín, Alemania

(Texto de catálogo de Gerhard Haupt)

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 9"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1995

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“Corriente alterna”, Centro Wilfredo Lam, La Habana.

(texto de catálogo de Ibis Hernández Abascal y Margarita Sánchez Prieto)

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 10"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1995

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”La muestra del mes”, Espacio Anglutinador, La Habana

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1996

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”Call Malevich”, Kunsthalle Düsseldorf, Alemania

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1996

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“Call Malevich”, Kunsthalle Lingen, Alemania

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1997

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“Utopian Territories: New Art from Cuba”, OR Gallery, Vancouver, Canadá.

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1998

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“Mira” Sala Saura, Diputación de Huesca, España.

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1999

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“Lecturas profanas”, Biblioteca Central de Medellín, Medellín, Colombia

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 16"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

1999

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“Por diversos conceptos”, Galería Habana, La Habana, Cuba.

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2000

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Feria de Arte Contemporáneo, ARTEBA, Buenos Aires, Argentina

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2000

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 394.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=526>

Ponjuán e Ibrahim, Córdoba, Argentina

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 19"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

2000

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 394.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=526>

Por diversos conceptos, Galería 106 Flatbed, Austin, Texa, EUA

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 20"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

2001

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 394.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=526>

“Sentido”, Consejo Nacional de las Artes Plásticas, La Habana, Cuba

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 21"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

2001

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 394.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=526>

“Mi mente mi Castillo”, Galería de Artes Trinidad, Cuba

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 22; mso-yfti-lastrow: yes"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 41.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=55>

2002

2003

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 394.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=526>

“Vacío”, Centro de Arte ICAIC. La Habana, Cuba.

Preparación de “Fe de errata”, MAPRI, Pinar del Río, Cuba.

<$shy;/tD><$shy;/tR><$shy;/tBODY><$shy;/tABLE>

EXPOSICIONES COLECTIVAS

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 1"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1988

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“No es sólo lo que ves”, Facultad de Filología, Universidad de La Habana

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 2"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1988

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Es sólo lo que ves”, Exposición de arte abstracto, Publicación del Caimán Barbudo, La Habana

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 3"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1989

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“El objeto esculturado”, Centro de Desarrollo de las Artes Visuales, La Habana

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 4"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1991

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Plástica cubana actual”, colateral a la IV Bienal de la Habana en la galería de la Villa Panamericana, La Habana

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 5"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1991

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Nacido en Cuba”, Valencia, Venezuela

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 6"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1992

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Los cubanos llegaron ya II”, NINART, México, DF.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 7"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1992

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Von Dort Aus Kuba”, Ludwing Fourm, Aachen, Alemania

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 8"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1992

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Avantgarde & Campaing”, Stadtische Kunsthalle, Düsseldorf, Alemania.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 9"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1992

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“La década prodigiosa”: plástica cubana de los ´80, Museo del Chopo, México, D.F.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 10"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1992

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Arte cubano actual”, Fundación Cultural Televisa, Centro de Arte Contemporáneo, México D.F.

Exposición Internacional de Sevilla, España

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 11"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1992

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“From another place”, Benson Gallery, New York

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 12"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1993

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Made in Cuba”, Galería Kring Ernst, Colonia, Alemania

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 13"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1994

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Apropiaciones y entrecruzamientos”, V Bienal de la Habana. Convento de Santa Clara, La Habana

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 14"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1994

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

V Bienal de la Habana en el Ludwing Forum, Aachen, Alemania

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 15"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1995

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Una de cada clase”, Fundación Ludwing de Cuba, Convento de Santa Clara, La Habana.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 16"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1995

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

Feria ARCO, Madrid.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 17"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1996

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

Feria ARCO, Madrid.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 18"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1996

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“A dentro / a fuera”, Walter Phillips Gallery, Banff, Alberta, Canadá

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 19"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1997

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Rostros de la memoria”, VI Bienal de la Habana, Castillo del Morro, La Habana

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 20"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1997

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“El arte que no cesa”, Centro Wilfredo Lam, La Habana.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 21"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1998

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Caja de figuras”, Palacio del Segundo Cabo, La Habana.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 22"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1999

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II Salón de Arte Cubano Contemporáneo, Centro de Desarrollo de las Artes Visuales, La Habana.

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1999

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“La Huella Múltiple”, Centro de Desarrollo de las Artes Visuales, La Habana.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 24"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1999

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VI Bienal Internacional de Pintura, Cuenca, Ecuador.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 25"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1999

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Feria ART PARIS, Gaymu et Librandi Galerie, Carrousel du Louvre, París, Francia

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 26"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1999

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Bienal de Malta.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 27"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1999

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II Bienal Iberoamerica de Lima, Perú.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 28"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1999 - 2000

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

“Más allá del papel”, Centro Cultural del Conde Duque, Madrid, España.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 29"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

2001

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“Caleidoscopio”, Teatro Nacional de Cuba, La Habana.

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2002

2003

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“Made in Cuba” Jonathan Ferrara Gallery, N. Orleans EUA

SubastaHabana, 11 de diciembre. La Habana.

“$”, Centro Cultural de España, La Habana, Cuba.

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Premios

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1982

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Primer Premio de Dibujo, Salón Provincial de Artes Plásticas, Pinar del Río, Cuba.

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1985

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Premio de Dibujo, III Salón de Artes Plásticas, Pinar del Río, Cuba.

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1986

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Premio compartido en Dibujo, Salón de la Ciudad, Centro Provincial de Artes Plásticas y Diseño, La Habana.

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1987

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Primer Premio, Salón de Premiados, Museo Nacional de Bellas Artes, La Habana.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 5"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1999

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Primer Premio de Collage, Bienal de Malta.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 6"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

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Colecciones

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 Museo Nacional de Bellas Artes, La Habana.

 Centro Wilfredo Lam, La Habana.

 Colección de Peter Ludwing Forum, Aachen, Alemania.

 Colección Particular de Jürgen Harten, Dosseldorf, Alemania.

 Colección Particular de Nina Menocal, México D.F.

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Becas y Docencia

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1987 - 2003

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Profesor de pintura en la Facultad de Artes Plásticas del ISA.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 11"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1995

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

Taller de Creación en la Universidad Politécnica de Valencia (Impartido),

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 12"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1996

<$shy;/tD> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 358.6pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=478>

Becario de la Fundación Ludwing, Ludwing Forum, Aachen, Alemania.

<$shy;/tD><$shy;/tR> <$shy;tR style="mso-yfti-irow: 13; mso-yfti-lastrow: yes"> <$shy;tD style="BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 5.4pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 5.4pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; width: 77.4pt; PADDING-TOP: 0cm; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent" valign="top" width=103>

1997

2002

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Responsable y participante en el Workshop Internacional “Taller de Soroa” realizado durante la VI Bienal de La Habana.

Curaduría de “El doble o la mitad”, Centro Cultural de España, La Habana.

Ciclo de Seminario y Conferencias en Universidad Politécnica de Valencia, Facultad de Bellas Artes; Universidad de Granada, Facultad de Bellas Artes; Escuela de Canteiros y Facultad de Bellas Artes de Pontevedra; Universidad de Santiago de Compostela; Universidad de Carlos III, Madrid.

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En los últimos años la producción de Ponjuan ha evolucionado marcadamente hacia el objeto y el ensamblaje, al tiempo que en su obra bidimensional reaparecen ideas, materiales y motivos ya desplegados en aquellos dibujos de mitad de los ochenta. Al cabo de unas dos décadas, su trabajo se ve otra vez definido por el uso del lápiz, del grafito, y de la fotocopia retocada; por la representación efectista, dosificada con devaneos decorativos y verismo fotográfico; y por una elaborada manipulación de imágenes –con frecuencia de origen mundano: entresacadas de revistas, libros de arte, impresos, catálogos tipográficos- cuya banalidad resulta neutralizada en el proceso de adaptación, o bien se hace invisible ante el aura de lo enigmático.

En los objetos y ensamblajes, el libro es el centro de todas las disquisiciones. Transmutados en relieves, tensados entre lo decorativo y lo mecánico, estos objetos aluden a la idea del conocimiento como máscara, y como disfraz ridículo.

Antonio Eligio (Tonel)

Date de création : 14/05/2010 - 08:51
Dernière modification : 20/05/2010 - 17:14
Catégorie : artes plasticas
Page lue 83 fois

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